Ruined bodies
Since 2020
Addressing places, the imprint of time, ecology and the connection between humans and their natural or built environment.
In these works, I depict and sculpt the elements of a world in the grip of a devastating phenomenon. I transcribe visions, memorial images and my subconscious porosity in the face of societal and ecological tensions. By recomposing fragments of architecture, scraps of nature, shreds of bodies, my artworks seek to weave ties between the living.
Inspired by buried and imaginary memories, by what infuses me when I interact with spaces, my creations reflect the physicality of our environment, the relationship between the human and the non-human, such as societal pulses or vibrations.
It is based on a long-standing exploration of the relationship between constructed environments and organic matter, and bears witness to the experiences that have shaped my personal journey, my subtle connection with the non-human elements that surround us. A relationship that has developed through my past professions and sources of inspiration, enriching my perception of life.
Through a carnal and intuitive dialogue with matter, I study how mineral, plant, organic and architectural flesh interweave like traces belonging to different temporalities.
Traces, materialized in a variety of forms (Indian ink line, run, notch in clay, woven thread), draw discontinuous, misshapen lines that reveal the fragility of the environments we inhabit, the difficult coexistence between humans and their environment. It captures certain states of nature, landscape remnants, abandoned territories and ruined buildings.
Wall Memories
Featuring the poetry & mystery of walled windows with the spirituality of altars.
These works evoke memory through their layers of time and textures.
I feel that our world needs to connect with density, thickness such as that of a rock wall, because we live and act guided by images that scroll by on screens without depth. There is a lot of restlessness, immediacy, incessant, irrational change. My stance is different because I evoke construction, durability in the relationships
Featuring the poetry & mystery of walled windows with the spirituality of altars.
These works evoke memory through their layers of time and textures.
I feel that our world needs to connect with density, thickness such as that of a rock wall, because we live and act guided by images that scroll by on screens without depth. There is a lot of restlessness, immediacy, incessant, irrational change. My stance is different because I evoke construction, durability in the relationships
In between two lives
Nature in despair
